The Arts Portal



The arts refers to the theory and physical expression of creativity found in human cultures and societies. Major constituents of the arts include visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), literature (including fiction, drama, poetry, and prose), and performing arts (including dance, music, and theatre).

Some art forms combine a visual element with performance (e.g. cinematography), or artwork with the written word (e.g. comics). From prehistoric cave paintings to modern-day films, art serves as a vessel for storytelling and conveying humankind's relationship with the environment.

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The Garden of Earthly Delights by Hieronymus Bosch
The Garden of Earthly Delights is a triptych painted by the early Netherlandish master Hieronymus Bosch (c. 1450–1516), housed in the Museo del Prado in Madrid since 1939. Dating from 1503 and 1504, when Bosch was about 50 years old, it is his best-known and most ambitious work. Bosch's masterpiece reveals the artist at the height of his powers. The triptych comprises three sections, a square inner panel with rectangular panels on either side which close as shutters. The panels are painted in oil, the exterior panels of the shutters being in grisaille. The outer wings, when folded shut, show the earth during the Creation. The three scenes of the inner triptych are probably intended to be read chronologically from left to right. The left panel depicts God presenting to Adam the newly created Eve. The central panel is a broad panorama of sexually engaged nude figures, fantastical animals, oversized and gorged fruit, and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation. Art historians and critics frequently interpret the painting as a didactic warning on the perils of life's temptations. American writer Peter S. Beagle describes it as an "erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty".

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Hohenzollern BridgeCredit: Photo: Thomas Wolf

The Hohenzollern Bridge crossing the Rhine in Cologne, Germany, with the Cologne Cathedral in the background. The bridge is a tied-arch railway bridge, as well as a pedestrian bridge. Originally built in 1911, it survived numerous Allied bombings in World War II, only to be destroyed by German engineers as the war drew to a close. Reconstruction began soon after and the bridge was opened to pedestrian traffic in 1948 then completely opened in 1959.

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Portrait of Caspar Friedrich by Gerhard von Kügelgen
Caspar David Friedrich (1774–1840) was a 19th-century German Romantic landscape painter, generally considered the most important of the movement. He is best known for his mid-period allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's work characteristically sets the human element in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension". Friedrich was born in the Swedish Pomeranian town of Greifswald, where he began his studies in art as a youth. Later, he studied in Copenhagen until 1798, before settling in Dresden. Friedrich's work brought him renown early in his career, and contemporaries such as the French sculptor David d'Angers (1788–1856) spoke of him as a man who had discovered "the tragedy of landscape". However, his work fell from favour during his later years, and he died in obscurity. By the 1920s his paintings had been discovered by the Expressionists, and in the 1930s and early 1940s Surrealists and Existentialists frequently drew ideas from his work.

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A 1938 teuroteu by Kim Song Kyu and Park Yeong Ho. Sung by Park Hyang Rim.

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Leonard Baskin, Publishers Weekly (April 5, 1965)

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